The initiative begs the questions: what makes a work of art, and more specifically for 100 BOOTS, which layer of production is the artwork? Is it the performance? The photographic images? The boots themselves? The culmination of all three in the form of a postcard?
SOURCE: 100 BOOTS: a continuing narrative |
| 1971 - 1973 | 100 Boots by Eleanor Antin Photographed by Philip Steinmetz Source: Getty Center |
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| 1971 - 1973 | 100 Boots by Eleanor Antin Photographed by Philip Steinmetz Source: Getty Center |
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| 1971 - 1973 | 100 Boots by Eleanor Antin Photographed by Philip Steinmetz Source: Getty Center |
WATER BOOTS AS ART:
2009 | MAURIZIO CATTELAN
1976 | ANDREW NEWELL WYETH
1986 | ROMAN SIEGLER
SHOES &
ART