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1955 | Andy Warhol | Ladyslipper by Palizzio
Detail
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WARHOL FOR PALIZZIO
PART 1
ANDY WARHOL | POP ARTISAN
IT'S ALL ABOUT SHOES
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1955 | Andy Warhol | Ladyslipper by Palizzio
Detail
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1955 | Palizzio [Very New York] by Andy Warhol Detail |
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1955 | Andy Warhol | Shoe advertising drawing | Ink On Paper
Sari Silks by Palizzio
From The Luigino Rossi Collection
Source: Made In Warhol Catalog | Fondazione Art Museo Villa Ponti, 2007
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1955 | Andy Warhol | Shoe advertising drawing | Ink On Paper
The Quiet Ones by Palizzio
From The Luigino Rossi Collection
Source: Made In Warhol Catalog | Fondazione Art Museo Villa Ponti, 2007
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1955 | Andy Warhol | Shoe advertising drawing | Ink On Paper
The Swingers by Palizzio
From The Luigino Rossi Collection
Source: Made In Warhol Catalog | Fondazione Art Museo Villa Ponti, 2007
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1955 | Andy Warhol | Shoe advertising drawing | Ink On Paper
Sandstorm by Palizzio
From The Luigino Rossi Collection
Source: Made In Warhol Catalog | Fondazione Art Museo Villa Ponti, 2007
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Ganna Walska
Source: Lotusland
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Ganna Walska's Perugia shoes at LACMA The Arlequin-inspired shoes Source: LACMA |
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Late 1920s | André Perugia
Silk brocade, leather
Source: LACMA
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Early 1930s | André Perugia
Silk velvet, silk, leather
Source: LACMA
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1927 | “Divorçons” Perfume by Ganna Walska
Source: Cleopatra's Boudoir |
Please note the Parisian address: 2, Rue De La Paix, in a few years that will be Perugia's.
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1931 | A reproduction of the Enzel ad for André Perugia's mask model
As published in "Il modello della calzatura" magazine by Travaglia e Moroni
Not attributed to Perugia
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1929 | André Perugia
Photograph: D'André Vignaud (1892-1968)
Source: eBay
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Paragon Shoes Pty Ltd was one of the most significant 20th century Australian shoe retailers, and at one time was the largest manufacturer of high quality of women's shoes in Australia. Its factory was located in Melbourne, and its shoes were sold throughout Australia and New Zealand.
Source: Museum Victoria Collections
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1930's | Paragon - Black and Silver Pumps
Source: © Museum Victoria/CC BY
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1935 | Etienne | Paris
Source: Sotheby's
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1935 | Etienne | Paris
Source: Sotheby's
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1923 | Mask model by André Perugia
Source: Vogue France
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1929 (attr.) | Mask sandal by André Perugia
Source: Shoes - A Celebration Of Pumps, Sandals, Slippers & More (Workman Publishing, 1996)
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1929 | Enzel ad
Design by André Perugia
Source: HPrints
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"Mask" shoe | Black velvet and metallic leather
Source: Drouot
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André Perugia
The Mask model in pink calf leather and black velvet
Source: La Gazette de l'Hôtel Drouot - 2003 October
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1929 | Bottom left: a "mask" model by André Perugia
Others models by (from top down/ left to right):
Ducerf-Scavini; Costa; Edith; Enzel (Perugia); Edith; Perugia
Source: "La Soierie de Lyon"
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1949 (Attr.) | André Perugia
The Mask Sandal At The Footwear Museum of Romans-sur-Isère
Source: The Art Of The Shoe by Marie-Josèphe Bossan (Edimat, 2007)
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1912 | Amedeo Modigliani
Blue Caryatid Head
Pencil on paper
Source: Daringtodo
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1980's | Roger Vivier |
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1995 | Christian Louboutin The model Maskovitch Source: Powerhouse Museum, Sidney |
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S/S 2009 | Nicolas Kirkwood
© Photo: MoMu Antwerp/ Frederic Uyttenhove
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2015 | Vivienne Westwood
No shame
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1921 | Tokio model by André Perugia
Drawing from Perugia catalogue
Source: Bertrand Heyraud "5000 ans de Chaussures" Parkstone Press 1994
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“Organizzai per Cornuché, a Cannes [Eugène Cornuché, 1868-1926, gestore del Casino, NdT], una serie di feste di cui gli habitués si ricorderanno sempre. Bisognava trovare ogni settimana un pretesto nuovo per richiamare una clientela tentata da attrazioni diverse da ogni parte della costa. Ci fu una festa dell’Oro, una festa di Parigi, una festa di New York ecc. e ciascuna offrì il pretesto a una adeguata distribuzione di accessori che ci si accaparrava a dispetto della buona educazione che regnava ovunque.”
Paul Poiret
[Da "En habillant l'époque" trad. Irma Vivaldi]
“I also produced at Cannes, for Cornuche [Eugène Cornuche, 1868-1926, was the manager of the Casino, ed.], a series of fetes (parties) which will never be forgotten. I had to find each week a new way of attracting a clientele that was solicited throughout the whole coast by varied attractions. There was a Golden Fete, a Paris Fete, a New York Fete, etc . . . and each party served as a pretext for a distribution of appropriate accessories, immediately snatched, in spite of the good manners that reigned everywhere.”
Paul PoiretFrom: "King of Fashion: The Autobiography of Paul Poiret" V&A Publishing, 2009]
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Paul Poiret and his mask
Source Vogue
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1920s Perugia's "Tokio" | Reproduction of the original 1921 design At DLM - Deutsches Ledermuseum Schuhmuseum | Offenbach DE Photo by Mirco De Cet Courtesy of the author |
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1922 | Cécile Sorel entering the masquerade ball "Grand Prix" Vogue France |
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1967 | CHANTAL | | Footwear Boutique
Parabiago, Milan
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1967 | CHANTAL | | Footwear Boutique
Parabiago, Milan
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1967 | CHANTAL | | Footwear Boutique
Parabiago, Milan
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Jaqueline
Parabiago, Milan
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Jaqueline
Parabiago, Milan
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Jaqueline
Parabiago, Milan
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Jaqueline
Parabiago, Milan
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Jaqueline
Parabiago, Milan
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VACCARI Bologna |
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1970 | VACCARI Bologna |
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1970 | VACCARI Bologna |
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1970 | VACCARI Bologna |
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1970 | VACCARI Bologna |