WILLIE COLE | SOLESTICE — on

"Women's shoes offer a lot more variety, texture and color than men's shoes. And are just more interesting in many ways to me....

1925 - 1926 | THE ORPHIC ANDRE PERUGIA | 2/2 — on

In the season 1925/26 André Perugia launched a collection inspired by the Orphic painting. Around the same time at the Théâtre Michel in P...

1925 - 1926 | THE ORPHIC ANDRE PERUGIA | 1/2 — on

Between the first and the second phase of Robert Delaunay 's Orphism, André Perugia added his own personal vision of the movement with...

THEHISTORIALIST CITY GUIDES — on

THEHISTORIALIST CITY GUIDES Vigevano 1969 | 01 | | 02 | Vigevano Monument To The Italian Shoemaker Florence w/Ferragamo Fl...

1968 | MILTON'S SHOES BY ALEXANDER CALDER — on

In 1968, my old friend from the US art scene, Alexander Calder, visited me in Rome. I had gone there in the 1950s, when my flat in New Yor...

1927 | A PRINCELY WEDDING | ANNE D'ORLEANS AND AMEDEO DI SAVOIA-AOSTA | SHOES BY JULIENNE — on

1927 | Anne of France and Amedeo Di Savoia-Aosta The wedding parade Source: Europeana Così giovane sei, così leggera cammini in...

I LUV UR SNEAKERS | TBAMFW 8.3 — on

The canvas, the color, the rubber toe
 No animal died or lost its soul
 In the production of
 Your beautiful sneakers

 The jewels, the blin...

1928 | KARL SCHMIDT-ROTTLUFF | ANTIQUES — on

1928 | KARL SCHMIDT-ROTTLUFF | ANTIQUES  Oil On Canvas | 56,5 x 87,5 cm. |  Brücke-Museum Berlín, Germany Source: The Prodigious Cent...

MADAME JULIENNE | THE FEMME BOTTIER — on

1920s | Julienne | Paris Pair of shoes of brown silk taffeta with brown and gold leather trim, faux-topaz buckles Source: MFA Bosto...